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INTERVIEWING THE AUDIENCE with ZACH HELM
Exclusive Limited Engagement
Interviewing The Audience is an opportunity to expand the perception of theater and narrative with a simple, human approach. Specifically, members of each evenings audience will be asked to sit with Mr. Helm and allow themselves to be interviewed without any pre-conception or structure. The result is a series of stories so personal, so real, so emotionally deep, so strange that they often surpass our expectations more than any typical piece. Mr. Helm saw the late great Spaulding Gray perform the piece in Chicago and became immediately enamored with it. After a 5 night successful run in 2007, Teatro de Facto & Bootleg are bringing it back for a 2 Night Limited Engagement.
Mr. Helm is pleased to have another opportunity to curate and lead such a spontaneous and magical affair in Los Angeles, one of the unique convergences of people in the country. Mr. Gray was one of the premiere theater performers of American history. His 1st person monologues were widely performed and hugely popular. Interviewing The Audience was his attempt to create theater with the thrill of the unexpected in an atmosphere simple and approachable. It is also an opportunity to put the theater back in the hands of the audience, while underlining the theme that everyone has a story, everyone is a character, everyone writes their own life.
Mr. Helm is an Ovid Fellow, a PEN USA award winner, and a National Board of Review award recipient. His work includes the films Stranger Than Fiction and Mr. Magorium's Wonder Emporium, as well as the plays Last Chance For A Slow Dance and Good Canary (which is currently having its World Premiere in Paris, France). This will mark his first performance piece since discontinuing his work as a spoken word performer and monologuist over 10 years ago. Mr. Helm is the Artistic Director of Teatro de Facto, founded in 2008.
Friday and Saturday December 4th and 5th
RUMORS, SECRETS, SAND AND BLOOD. U.S. Army Captain Catherine Siler journeys to the New Mexico reservation home of Private First Class Raymond Birdsong on a search for answers. The questionable circumstances surrounding Ray’s death in Afghanistan create a crisis of conscience for the captain giving her no choice but to re-examine her own life along the way.
Culture Clash, L.A.’s premiere Chicano performance group, returns to the MTF with a World Premiere play about America’s constantly shifting political landscape exploring loss, identity and the notion of occupied homelands.
Palestine, New Mexico promises to be an inherently theatrical work that mixes humor and cold fact to unforgettable and galvanizing effect.
From the Stage Veterano's that brought you the sold-out MTF hits Chavez Ravine and Water & Power.
*Come in costume and participate in the WIZARD OF OZ costume contest before the screening.
Sunday, November 29 - 4:00 PMMOCA's 30th Anniversary Members Party
MOCA members are invited to celebrate the museum’s 30th anniversary at a birthday party to culminate the exciting opening week of Collection: MOCA’s First Thirty Years. Enjoy an unforgettable art experience inspired by MOCA’s permanent collection with unique performances and unexpected interventions by My Barbarian, a dynamic Los Angeles–based artist collective.
MOCA’s 30th Birthday Party is presented by Ovation TV and The MOCA Contemporaries.
Become a MOCA member today!
250 South Grand Avenue - L.A.
Fearless iconoclasts Kronos Quartet, performing a piece from award-winning film composer Thomas Newman. Visionary master of minimalism, Terry Riley. Brainy electronica assemblagists Matmos. And Incubus’ psycho-musicologist, Mike Einziger.
These cutting edge California artists come together for one incredible evening of solo performances and exclusive collaborations. Drawing inspiration from their mutual admiration and respect, as well as their own West Coast roots, expect a unique tapestry of combined influences and extraordinary talents.
Everyday Miracles (Extended) brings together the work of seven artists who poignantly reflect on the dynamic shifts across Asia over the last 30 years. Curated by Hou Hanru in collaboration with REDCAT, the exhibition proceeds from an earlier project called Everyday Miracles, organized by Hou for the Chinese Pavilion at the 2007 Venice Biennale. Presented in three cycles (the first two at the San Francisco Art Institute and the third at REDCAT), Everyday seeks to expand upon dialogues about feminism in Asia and the emergence of the “extraordinary” in art and the everyday. Bridging SFAI and REDCAT’s shared commitment to art practices of the Pacific Rim, the exhibition features work by Hamra Abbas, Ringo Bunoan, Chen Hui-Chiao, Shilpa Gupta, Kan Xuan, Minouk Lim and Jewyo Rhii—artists who explore the world through a decidedly decentralized perspective, a powerful and necessary position to take in the context of a global art market driven by spectacle and essentialist views. Using the miraculousness of the everyday, these artists attempt to negotiate and transcend social and political realities in China, India, Korea, Pakistan, the Philippines and Taiwan.
Sun Nov 22–Sun Jan 17 | Tues–Sun, noon–6 pm or intermission
This exhibition is made possible with generous funding from The Andy Warhol Foundation for the Visual Arts, Eve Steele and Peter Gelles, Arts Council Korea, The George and MaryLou Boone Fund for Artistic Advancement and the Council for Cultural Affairs, Taiwan, R.O.C. in collaboration with Taipei Cultural Center of TECO, New York.
In this deliriously madcap fantasy revue, the soaring song stylings of drag artist Joey Arias are surrounded by an eye-popping theatrical extravaganza conjured by a team of puppeteers directed by the legendary Basil Twist. Channeling lurid celluloid dreams, macabre nightmares and bizarre premonitions on a stage transformed into a bigger-than-life cabinet of curiosities, the adventure begins with an alien abduction and concludes with a stupendous Busby Berkeley-esque finale. Along the way, the throaty chanteuse belts out pop, rock and jazz standards—including Billie Holiday’s “You’ve Changed”—as Twist and company work their magic with vintage marionettes, anatomically correct puppets and fantastical scenic elements. Arias was the longtime “Mistress of Seduction” in Zumanity, Cirque du Soleil’s adult-themed Las Vegas show, while Twist is most famous for his Folies Bergère-style underwater staging of Berlioz’s Symphonie Fantastique.
October 13, 2009–March 14, 2010
View twenty large-scale, provocative graphic-arts posters by students from the Art Center College of Design, created in celebration of the sixtieth anniversary of the Universal Declaration of Human Rights. Developed in the wake of the tragedies of World War II and modeled after the United States Constitution, this remarkable document represents the first global expression of rights to which all human beings are entitled. Adopted by the General Assembly of the United Nations on December 10, 1948, in Paris, it continues to serve as a model for state charters around the world.
The Making and Unmaking of Flaming Creatures
Recognized as an unprecedented visionary masterpiece, Flaming Creatures was also reviled, rioted over, banned as porn, and pondered by the Supreme Court. “Jack Smith described Flaming Creatures as ‘a comedy set in a haunted movie studio.’ It is that, as well as the single most important and influential underground movie ever released in America,” according to J. Hoberman, film critic of The Village Voice for more than 30 years and an authority on the Smith performance and film oeuvre. “Smith’s movie was a source of inspiration for artists as disparate as Andy Warhol, Federico Fellini and John Waters but he never completed another.” Find out why. Hoberman’s books include The Dream Life: Movies, Media and the Mythology of the Sixties and Bridge of Light: Yiddish Cinema Between Two Worlds.
1963, 45 min., 16mm, b/w
Skylight Books is thrilled to host the Dandy Warhols' Courtney Taylor (aka C. Allbritton Taylor) and Camp Freddy's Donovan Leitch as they present their new graphic novel One Model Nation, illustrated by Jim Rugg.
A native of the Pacific Northwest, C. Allbritton Taylor has lived in New York, Amsterdam, Los Angeles, London and has made countless trips to Berlin for more than a decade while collecting information and writing One Model Nation. Now a resident of Washington State, C. Allbritton says of his first published full-length work, "I did my best to present a clear story while having to protect the people who wanted to remain hidden. I had to change names (and occasionally places) to do this while remaining true to my original intention: to pay homage to the great artists who played their parts in that time of unsung greatness."
Actor, musician, producer, rock historian, Donovan Leitch co-conceived One Model Nation with his collaborator C. Allbritton Taylor. Donovan was the lead singer for the '90s andro-glam NY band Nancy Boy and now fronts the all-star jam band Camp Freddy. As an actor, he has appeared in many late night cable cult classics and he played the lead role in Hedwig and the Angry Inch in both New York and L.A. productions. He has produced several documentaries and is now developing rock based musicals. As an avid music historian, Donovan constantly seeks to uncover the deeper truths of the mysterious band One Model Nation.
A scientist's investigations into the nature of good and evil turn him into a murderous monster.
1941/b&w/127 min. | Scr: John Lee Mahin; dir: Victor Fleming; w/ Spencer Tracy, Ingrid Bergman, Lana Turner.
A global fusion of rousing live music sets the pace for this solo tour de force by exquisite dancer and choreographer Gregory Maqoma, a bright star in South Africa’s dance and theater scene. Maqoma invited three of the world’s most refreshing and articulate choreographers to contribute their unique artistic voices to Beautiful Me—Akram Khan (U.K.), Faustin Linyekula (D.R. of the Congo) and Vincent Mantsoe (South Africa)—forging an expansive movement vocabulary that layers the influences of contemporary Kathak, Afro-fusion, and visual dance theater with breathtaking precision and lyrical warmth. As he performs to a soaring score for sitar, violin, cello and percussion, Maqoma unspools the personal journey—and larger social history—through which he discovered his own rich theatrical form. The internationally acclaimed production plays out as a series of conversations, incorporating “minutes” of movement, music and text into a heartfelt self-portrait and a kinetic reflection on African identity.
Curated by Giant Robot co-founder and co-editor Eric Nakamura, this expanded follow-up to the 2007 exhibition Giant Robot Biennale: 50 Issues will highlight artists associated with the magazine over the past 15 years.
David Choe • James Jean • Souther Salazar • Theo Ellsworth • kozyndan • Stella Lai • Jack Long • Albert Reyes • Jeff Soto • Rob Sato • Deth P. Sun
Providing an overview of the Giant Robot aesthetic, this multi-faceted exhibition will celebrate the depth and diversity of perspectives found within the Giant Robot experience through a series of components that visually represents the magazine’s ethos.
GR2 includes installations by David Choe, James Jean, and Souther Salazar, in addition to works by Theo Ellsworth, kozyndan, Stella Lai, Jack Long, Albert Reyes, Jeff Soto, Rob Sato, and Deth P. Sun.
Other components feature a group show of more than 50 other artists; a retrospective for longtime magazine contributor Ben Clark; a tribute to the kaiju scene featuring collaborative works made by indie sculptor and artist Yukinori Dehara, UglyDolls co-creator David Horvath, and Portland-based underground toy legend LeMerde; and four custom videogames developed by the Attract Mode Collective in conjunction with some of Giant Robot’s favorite artists.
More Info HereCloud Eye Control: Under Polaris
At once playful and deeply expressive, this young Los Angeles-based multimedia ensemble confronts head-on the tension between primal nostalgia and modern technological optimism. In their latest mix of projected animation, live theater and electronic music, Cloud Eye Control charts an epic journey across a vast arctic expanse—a sublime icebound landscape illuminated under the ethereal lights of the Northern sky. At the center of Under Polaris is the quest to preserve, inside pristine shards of ice at the top of the world, a seed containing the wealth of all human history: a back-up system for our genetic imprint and the sum total of our personal memories. En route, the story’s protagonist shape-shifts into many a mythic creature to survive the elements and, in the process, learns about the inextricable interdependence of humans and nature. Formed in 2004, Cloud Eye Control consists of animation and media artist Miwa Matreyek, writer, musician and actor Anna Oxygen, and director Chi-wang Yang.
“Most of us go through the world, never seeing anything. Then you meet somebody like Herb and Dorothy, who have eyes that see.” —Richard Tuttle, artist
He was a postal worker. She was a librarian. Together they amassed one of the most important contemporary art collections in the world. HERB & DOROTHY tells the extraordinary tale of Herb and Dorothy Vogel, a seemingly ordinary couple who filled their humble one-bedroom New York apartment with more than 4,000 works of art over a 45-year period. Filmmaker Megumi Sasaki turns her lens on the Vogels during a critical period of transition for the couple and their cherished collection.at REDCAT
The California E.A.R. Unit: The Lindas
The E.A.R. Unit, one of the boldest and most idiosyncratic contemporary chamber ensembles working today, turns its refined attentions to composers named Linda. The group is premiering Wanderer by the brilliant Canadian composer Linda Catlin Smith, commissioned by the Unit; the sensuous multimedia work Forecast by fellow Canadian Linda Bouchard; and the haunting Moonsick by Dublin-based Linda Buckley. The egalitarian program does extend fearlessly into non-Linda territory: After Forgetting, a sizzling new work by Keeril Makan, who was also commissioned by the Unit, and Daniel Salecich’s mesmerizing Generator (urban speed time-out).
Sat 10.10 830p
WILLY WONKA AND THE CHOCOLATE FACTORY
FAMILY MATINEE In this enchanting social satire based on Roald Dahl's classic book, mysterious candy factory owner Willy Wonka (Gene Wilder) croons "Come with me, and you’ll be in a world of pure imagination" in this truly wondrous (and colorful) musical adaptation. Follow the five lucky holders of the Golden Tickets (Veruca Salt, Augustus Gloop, Mike TV, Violet Beauregard and impoverished Charlie Bucket) as they and their parents venture inside the enchanted Wonka Chocolate Factory - for better or for worse! Oompa Loompa doom-pity-doo! Director Mel Stuart will appear in person for discussion following the film. Free admission to all children 12 and under accompanied by an adult. One child will be admitted free for each paying adult.