Showing posts with label experimental film. Show all posts
Showing posts with label experimental film. Show all posts

8.23.2011

An Evening with Ken Jacobs - Tonight @ CINEFAMILY.


Ken Jacobs has called cinema “a form of thinking;” by his own measure, we must count Jacobs among the greatest thinkers of his generation.

Los Angeles Filmforum and The Cinefamily are thrilled to host a night of films and Q&A conversation with an artist whose diverse body of work, spanning six decades, contains many of experimental film’s most pioneering, provocative statements. A major figure whose works have been canonized in the permanent collections of MOMA and the Whitney, Jacobs has given us films, videos, performances and writings which have forever altered our concept of what cinema has been and can become. Alternately hilarious, hypnotic, confrontational and meditative, the films in this program testify to Jacobs’ lifelong commitments: progressive politics, the history and splendor of the moving image, and the search for new ideas/forms.

Tonight’s
five selections, shown on 16mm, 35mm and digital, all showcase divergent approaches to found footage, drawing on such wide-ranging sources as Jacobs’ longstanding fascination with the birth of cinema, high-speed transfer operas based on his own previous films, and fascinating newscast outtakes projected exactly as Jacobs found them in a wastebin. Please come on down to the CINEFAMILY and welcome this legendary artist in person to discuss his work, and participate in a Q&A with another remarkable young filmmaker, Azazel Jacobs (Ken's son) director of Sundance hit Terri.

More Here...



8.20.2010

Friday , August 20th @ CINEFAMILY - Model Shop + Play It As It Lays

Model Shop + Play It As It Lays -

It was only a matter of time before the call of Hollywood's dream factory ensnared French director Jacques Demy, that lover of old musicals and stylized fantasies. What Columbia Studios may not have know, is that Demy's other great love was Robert Bresson, and when he wasn't making glorious Technicolor romances like The Umbrellas of Cherbourg, he was delivering coolly detached, 2 A.M.-of-the-soul art films. Guess which kind of film his stay in Los Angeles inspired?

Turning his camera on the sun-bleached, pop culture-drenched local andscape and playing down his usual style, Demy gives us a 24-hour period as experienced by George, a layabout soon-to-be Vietnam draftee whose girl, car and Venice pad are about to become a memory. Enter a mysterious French woman (Anouk Aimée) he spies driving down a Hollywood boulevard that captures his imagination; entranced, he trails her from Malibu to Beverly Hills, Santa Monica and back again, in the blind hope of some kind of real human connection.

Long considered a "lost" Demy project, Model Shop's camerawork and art direction are never less than faultless, its soundtrack (courtesy of local band Spirit) is a total jewel of the period -- and its generous footage of L.A. circa '69 is now a treasure trove unto itself. Dir. Jacques Demy, 1969, 35mm, 97 min.

Play It As It Lays - 10p
The killer quote in this killer 1972 adaptation of the Joan Didion classic of American existentialism is this: “We’ve been out there where nothing is.” Spoken by a closeted, suicidal, kept-man movie producer played by Anthony Perkins, is Didion (via Mommie Dearest and The Swimmer director Frank Perry) talking about Hollywood? Bleak California deserts? Bleaker California souls? The real answer can be found in the eyes of a ragingly beautiful Tuesday Weld as her acting career, marriage and sanity are stripped away by the force of the meaninglessness swirling all around her. Photographed by Blade Runner cameraman Jordan Cronenweth in exhilarating early 70’s experimental mode, the film is a sun-shot, shattered mirror held up to exactly the place, in the heart of American society, where the nothing lies. Dir. Frank Perry, 1972, 35mm, 99 min.

More Here...

4.06.2010

Frederick Wiseman's 'MEAT' @ RedCat this Thursday 4.8

Award-winning documentary filmmaker Frederick Wiseman has created a body of work that offers a grand panorama of American life, studying human and institutional behavior in all their contradictory and unpredictable manifestations. In Meat (1976), Wiseman tracks the workings of a highly automated packing plant, illustrating important points and problems in the production, transportation, logistics, equipment design and labor management that turns cattle and sheep into consumer goods.The evening will be introduced by Josh Siegel, The Museum of Modern Art's Associate Curator in the Department of Film. Siegel has organized more then eighty exhibitions, including The Lodz Film School of Poland: 50 Years; To Save and Project: The MoMA International Festival of Film Preservation; and retrospectives devoted to artists/filmmakers including Jeanne Moreau, Nicholas Ray, Oskar Fischinger, Ken Jacobs, John Frankenheimer, Errol Morris, and the current, 2010 focus on the films of Frederick Wiseman.


3.02.2009

Tonight at Redcat: Bruce Conner's Explosive Cinema with Dennis Hopper

Bruce Conner's Explosive Cinema: A Tribute, Part 2

Monday, March 2, 2009 at 8:30pm

In person: Dennis Hopper, longtime Conner friend and co-conspirator, and guest of honor Jean Conner

Influential maestro of found footage Bruce Conner (1933-2008) was often described as the father of MTV-style editing. His reply: "Don't blame me!" An artist of explosive intensity and enigmatic allure, Conner displayed a legendary mastery of assemblage, drawing, collage and film. At once voluptuous and razor-edged, Conner's compact, cinematic bombs are an inspired mix of heartfelt meditation and tragicomic political satire.

Surveying the filmmaker's work over a 50-year span, the program includes A Movie (1958, 12 min.), Marilyn Times Five (1973, 14 min.), Permian Strata (1969, 4 min.), Mea Culpa (1981, 4 min.), Looking for Mushrooms (1967, 3 min.), Looking for Mushrooms (1996 version, 15 min.), Report (1967, 13 min.), Television Assassination (1995, 14 min.), Take the 5:10 to Dreamland (1977, 5 min.), Valse Triste (1977, 5 min.) and Easter Morning (2008, 10 min., DV).

Tickets and info here.

2.26.2009

Engine Collision Festival at Studio 1636

The Engine Collision Festival is an intimate, 11 day celebration of fringe artists from all over the world. Taking place in Los Angeles, this eclectic program of Cinema, performance and Multimedia dynamically presents - the current state of ‘Genre’, the influence of past, and the vision of future. Among Engine Collision Fest headliners:

David Lynch will be screening a selection of unavailable short works.

ADULT SWIM's METALOCALYPSE
animators will do a show & tell, featuring a sneak preview of their forthcoming cartoon mayhem.

Slamdance
Film fest has put together a night of their 2009 winners.

Cory McAbee
is screening “The American Astronaut”.

Cherry Vanilla
will read from her autobiography.

Shannyn Sossamon
will reveal her experimental video project, “Maudegone”.

And many more accomplished headliners. More info here.