Showing posts with label photography. Show all posts
Showing posts with label photography. Show all posts

3.24.2011

BILL CUNNINGHAM NEW YORK opens 3.25. @ The Nuart.


The “Bill” in question is 80+ New York Times photographer Bill Cunningham. For decades, this Schwinn-riding cultural anthropologist has been obsessively and inventively chronicling fashion trends and high society charity soirées for the Times Style section in his columns “On the Street” and “Evening Hours.” Documenting uptown fixtures (Anna Wintour, Tom Wolfe, Brooke Astor, David Rockefeller—who all appear in the film out of their love for Bill), downtown eccentrics and everyone in between, Cunningham’s enormous body of work is more reliable than any catwalk as an expression of time, place and individual flair. In turn, Bill Cunningham New York is a delicate, funny and often poignant portrait of a dedicated artist whose only wealth is his own humanity and unassuming grace.

About Bill:

William J. Cunningham (born 1928/9) is a fashion photographer for The New York Times, known for his candid street photography.

Bill dropped out of Harvard University in 1948 and moved to New York, where he initially worked in advertising. Not long after, he quit his job and struck out on his own, making hats under the name “William J.” After being drafted and serving a tour in the U.S. Army, he returned to New York and got a job writing for the Chicago Tribune. During his years as a writer, he contributed significantly to fashion journalism, introducing American audiences to Azzedine Alaia and Jean-Paul Gaultier. While working at the Tribune and at Women’s Wear Daily, he began taking photographs of fashion on the streets of New York. As the result of a chance photograph of Greta Garbo, he published a group of his impromptu pictures in the Times in December 1978, which soon became a regular series. His editor, Arthur Gelb, has called these photographs “a turning point for the Times, because it was the first time the paper had run pictures of well-known people without getting their permission.”

Bill photographs people and the passing scene in the streets of Manhattan every day. Most of his pictures, he has said, are never published. Designer Oscar de la Renta has said, “More than anyone else in the city, he has the whole visual history of the last 40 or 50 years of New York. It’s the total scope of fashion in the life of New York.” Though he has made a career out of unexpected photographs of celebrities, socialites, and fashion personalities, many in those categories value his company. According to David Rockefeller, Brooke Astor asked he be invited to her 100th birthday party, the only member of the media so honored.

In 2008 Bill was awarded the title chevalier dans l’ordre des Arts et des Lettres by the French Ministry of Culture.

More Here...

Bill Cunningham New York Trailer from Gavin McWait on Vimeo.

1.06.2011

FILM - The Visual Language of Herbert Matter will be screening for FREE @ LACMA on 1.8.11


Herbert Matter was a man who seemingly fit many lives into one by excelling in the creative disciplines of design, photography and film. The documentary The Visual Language of Herbert Matter profiles his extraordinary life and seminal work.

With the help of historical footage, vintage photographs, never-before-seen film excerpts (some shot by Matter himself) and a broad overview of his extensive body of work, the feature length documentary helps in bringing the picture of an almost forgotten creative genius back into focus.

Interwoven with interviews from a who's who list of legendary artists, designer and photographers, the film sheds light on a remarkable career and its impact on the evolving language of design during the short 20th century both in the USA and Europe.

For the first time in an encompassing and comprehensive way, the film touches on the innovative expressions of his free experimental work, his fashion and advertising photography and his portraiture. His amazing talent of combining bold combination's of words, images and space is shown in his iconic Swiss travel posters, pavilion designs for the New York World's Fair 1939, photographs for Condé Nast publications; corporate image programs for Knoll furniture, the New Haven Railroad, exhibition- and numerous catalog designs for the Museum of Modern Art and the Guggenheim Museum; Matter's photography was instrumental in disseminating the designs of Charles and Ray Eames, covers for the legendary Arts & Architecture magazine and his lesser known work in film, the prime example being a film on the works of Alexander Calder.

The documentary is produced by independent Swiss production company PiXiU films, directed by award-winning filmmaker Reto Caduff (who will be on hand to discuss the film) and presented with a unique approach of visual storytelling: beginning with Matter’s childhood in the Swiss alps, to his training in Paris with legends such as A.M. Cassandre, Fernand Léger, and Le Corbusier, leading back to Zurich and the groundbreaking photomontage in his legendary Swiss travel posters - followed by his subsequent move to the United States.

FREE - Bing Theater | No Reservations
Saturday, Jan 8, 2p

More Here...

Matter Teaser from Herbert Matter on Vimeo.

5.25.2010

TIM HAWKINSON @ Blum and Poe now through 6.26.10

Blum & Poe is pleased to announce their first solo exhibition of new work by Tim Hawkinson.

Tim Hawkinson’s practice is known for its sprawling surrealistic self-portraiture in which the body, through intense introspection, becomes an alien landscape open to radical redefinition and transformation. This artistic agenda is mirrored materially by Hawkinson’s use of familiar and ubiquitous consumer packaging and household objects in highly unconventional ways. The new work continues these refrains, while also exploring more pointedly temporality, mortality, and the cyclic.

Hawkinson works in a range of media, involving sculpture, painting, photography, and installation. The exhibition will present this wide array, including such pieces as, Orrery, a towering eight foot tall sculpture of a woman at a spinning wheel atop a platform that is itself made up of a series of rotating concentric circles depicting tire treads. This piece references the mechanical models and devices used to illustrate the motions of the planets and their moons in our solar system. A sculptural collage of water bottles, plastic shopping bags, recouped ordinary hardware, and odds and ends; every part of this piece is interconnected and eternally spinning, from her head, hands, eyes, and ears, to the optical pattern on her dress, which is a motion illusion called “Rotating Snakes” designed by Japanese Psychology Professor Kitaoka Akiyoshi. With wheels upon wheels, this hyperkinetic sculpture resembles a Whirling Dervish, a hypnotic mystical dancer forever cycling between the material and cosmic worlds.

A sympathetic sculpture, also approaching eight feet tall, is a giant foam candle. This dramatic increase in scale turns a once knowable and homey object into a caustic, volcanic landscape. A central wick appears to erupt in flames, sending a cascade of casts of Hawkinson’s heels and toes pouring down the side like a revolving wax waterfall. A small door on its side reveals a chamber lined with a golden emergency blanket that bathes the piece’s handcrafted motor in an orange glow, altogether evoking Earth’s fiery recycling processes. The burning candle also references vanitas paintings and their reflection on mortality.

In another piece, Hawkinson takes large self-portrait photos printed in the negative and collages them together to resemble a fleshy and precarious motorcycle. Suspended on an empty backdrop, Hawkinson reconfigures his body so that arms become handles, legs the spokes, and fingers multiplied and braided together to become tires. Eerie structural correspondences and analogous traits between the body’s composition, its locomotion, its internal cycles, and mass-produced two-wheeled motor vehicles give way to a sense of the “self” as “other”, a subject that is explored throughout Hawkinson’s practice.

More Here...

10.19.2009

Go See: Pictures of theYear International @The Annenberg Space for Photography

The Annenberg Space for Photography is a new home for POYi's expanded exhibition this year. For 65 years, the winning work featured in the Pictures of the Year International (POYi) Exhibition was on display for just a few short days. But from July 11 through November 1, you can experience the year's most riveting photos each of which tells a story as captured by premiere photojournalists and visual editors from around the globe. Admission is free.

More Here...

9.10.2009

In Focus - Making a Scene : Now on View at the Getty Thru Oct 18

Thirty staged photographs are on view at the Getty Center as part of its In Focus series, a thematic presentation of images from the museum's permanent collection. Past incarnations have included The Nude, The Landscape, and The Portrait, and the current exhibit, Making a Scene, is a window into the world of early set design. Among the pictures is a lively arrangement of 19th and early-20th century tableaux vivants — "living pictures" with theatrically lit costumed subjects in an art-directed setting. Other selections range from daguerreotypes to Polaroids, and the collection features rare works by the likes of Man Ray and Lewis Carroll, providing a comprehensive survey of the curious hybrid of painting, theater, and photography.

More Here...

7.15.2009

IN FOCUS | Making a Scene at the Getty Center

Untitled (Michael and Christopher Meatyard), Ralph Eugene Meatyard, 1966

Featuring works by Lewis Carroll, Joel-Peter Witkin, Man Ray, Julia Margaret Cameron, Eileen Cowin, Roger Fenton and many others from the permanent collection.

The photographs in this exhibition make no pretense about presenting the world as it exists; instead, they are the productions of directors and actors who rely on stagecraft and occasional darkroom trickery to tell stories. Spanning photography's history and expressing a range of sentiments, the images in this exhibition are inspired by art history, literature, religion, and mainstream media.

Seated Odalisque, Roger Fenton, 1858.

Photo-Transformation, Lucas Samaras, 1976.
A hundredth of a second here, a hundredth of a second there -- even if you put them end to end, they still only add up to one, two, perhaps three seconds, snatched from eternity.
-Robert Dosineau
For full exhibition info click here.

4.24.2009

What's Going on Sunday? Visual Acoustics: The Modernism Of Julius Shulman


Newport Beach Film Festival
Sunday, April 26, 2009 at 2p

Narrated by Dustin Hoffman, Visual Acoustics explores the monumental career of 98-year-old architectural photographer, Julius Shulman. Populating his photos with human models and striking landscapes, Shulman combined the organic with the synthetic, melding nature with revolutionary urban design. The resulting images helped to shape the careers of some of the greatest architects of the 20th Century, with Shulman documenting the work of Richard Neutra, Rudolph Schindler, Pierre Koenig, John Lautner, and many others.

More Here...

4.21.2009

John Waters at Gagosian Gallery

Now Through May 23

There is no such thing as a bad movie frame.
-John Waters

Gagosian Gallery is pleased to announce “Rear Projection”, an exhibition of new photographs and sculpture by John Waters. “Rear projection” is a movie term for the process whereby a foreground action is combined with a background scene filmed earlier to give the impression the actors are on location when they are, in fact, working inside a studio. In Waters’ latest work, this artificial and outdated visual effect is embraced, attacked and taken to extremes.

Glorifying the struggle, humiliation, and wild excitement of a life in show business, Waters uses an insider’s bag of film tricks and trade lingo to celebrate the excess of the movie industry. Rewriting and redirecting existing film imagery snapped off the TV screen, he assaults, elevates, subtitles, and startlingly alters these one time classic, respected, even honored movies to attain a new kind of equality: a cult film that only needs one viewer – John Waters himself. Child stars are given bad habits (Children Who Smoke); innocent movies are perverted by editing out just a few frames (Santa Molester); even traditionally beautiful movie stars are glamorously deformed by suspiciously overbudgeted charity advertising campaigns (Hollywood Smile Train).

The cult of religion and the religion of cult are the same in Waters’s world, as in The Process (a cult that worshipped both Satan and Jesus) and Idol #2, Waters’s un-ironic beatification of singer Johnny Mathis. He sneaks into other movies like a spy to photograph the very details that their original directors didn’t notice. Waters revels in the terrible frustrations of today’s film business combined with the hostility that outsiders feel towards the contemporary art world, hoping to bring into focus a fresh breed of humor, cheap (but satisfying) sexual thrills, and a shabbily elevated artistic appreciation that must always start from the back of the line.


Gagosian Gallery

2.18.2009

Michael Fried @ LACMA

Lecture and Book Signing
Thursday, February 19 | 7:00pm

Michael Fried, J. R. Herbert Boone Professor of Humanities and the History of Art at Johns Hopkins University
, has been writing about the development of modernism for over thirty years. In this lecture he will discuss his long-anticipated book, Why Photography Matters as Art as Never Before, published in January by Yale University Press. A book signing will follow the lecture.

Bing Theater | Free, no reservations

2.06.2009

June Newton Requests the Pleasure of Your Company

Friday, February 13th, 7:30-9:00pm Doors open at 7:00pm

Presenting June Newton, the wife of the late, legendary fashion photographer Helmut Newton, as the next featured "Photographers on Photography" guest. Andrew Southam will serve as the moderator. Please join us in welcoming June for what promises to be a most memorable evening.

The Digital Fusion Pro Center
3525 Hayden Ave.
Culver City, CA 90232

At-the-door admission: $20 General; $10 Students w/ID, Cash and check accepted.